Looking for Ourselves

I think at one time or another, we’ve all fallen victim to the spell. I’m referring to those magicians of painting who have mesmerized us with their art and inspired us to begin our artistic journey. Often, we begin that journey by emulating the work of the artists who inspire us, searching for that elusive “it” that the artists infuse in their work. In my case, the artist who has had the most influence on my work is Edward Hopper. The distilled realism and psychological aspect of his work resonated with me…..and still does. What I also admired about him was his tenacity in pursuing his singular vision of just wanting to paint sunlight on a building.

“Connected” by Bruce Habowski
18″ x 18″ – Oil on canvas

Compared to his contemporaries, such as George Bellows, it took many years for Hopper to achieve success, but now some of his paintings are considered icons of American art.

It’s expected that painters, at the beginning of their journey, will often create master copies of artists’ work to learn technique, color, etc. or emulate their work by adopting their style.  The problem that can arise, however, is that some artists might not find their own way, becoming nothing more than an imitation of their idols. In my journey, it was paramount that I seek only to be inspired by Hopper and not become his shadow. My desire was to acknowledge his contribution to my growth as an artist while maintaining my own individuality in pursuing similar subjects.

“Mid City” by Bruce Habowski
14″ x 11″ – Oil on panel

Another challenge that artists may face is that of becoming followers just for the sake of their desire to “belong” to something…a movement, a style, etc. In the beginning, I found myself entertaining this goal at times. One’s tastes and interests will ebb and flow, but constants will emerge. We have to embrace those constants when they emerge, for they are an avenue in finding our true core self. I have discovered that there are threads of authenticity that are me and will rarely change…if at all. For instance, often certain color palettes speak to me in spite of my frequent experimentation. I have also found in myself that I favor subject matter that has a strong structural or architectural element to it, such as my urban paintings. 

At a point, artists have to muster up the courage to believe that their ideas and vision are worthy and valid. We have to be willing to trust our choices. You will find your own voice…it’s just a matter of time and practice. Often, I used to compare my work to that of others, wishing that I could paint like so and so. I felt that my work didn’t fit in anywhere, but I did believe that it was true and honest to me. I soon accepted the fact that comparisons are odious and have no place in my journey.

Upcoming OPA Events

OPA 2019 Western Regional Exhibition 29th Annual National Juried Exhibition
The Twenty-Ninth National Exhibition and Convention will be hosted by RS Hanna Gallery, located in Fredericksburg, Texas, from October 16 - November 28, 2020. Learn More!
OPA Spring 2020 Online Showcase OPA Spring 2020 Online Showcase
The Spring 2020 Online Showcase is from March 1 - May 15, 2020 and will be open to Associate members only. Learn More!
Salon Show 2020 Salon Show
The Salon Show will be held August 13 - October 3, 2020 at the Quinlan Visual Arts Center in Gainesville, GA. Canvas Size: not to exceed 864 square inches. More details to be announced as they become available.
Western Regional Exhibition 2020 Western Regional Exhibition
The Western Regional Exhibition will be held September 4 – October 2, 2020 at the Montgomery Lee Fine Art in Park City, UT. More details to be announced as they become available.
Eastern Regional Exhibition 2020 Eastern Regional Exhibition
The Eastern Regional Exhibition will be November 20 - December 19, 2020 at the Reinert Fine Art Gallery in Charleston, SC. Canvas Size: not to exceed 1,200 square inches. More details to be announced as they become available.