The 2017 National OPA Convention in Cincinnati

Why Every OPA Artist Should Attend This Event

If I may borrow from actor George Takei: “Oh My!”

I never expected to see John Michel Carter, Kathryn Beligratis, Bill Whitaker, or Suzie Baker together in a conga line – or myself for that matter – but that was what the closing party for the OPA’s 26th Annual National show was like.

The venue for the party, Cincinnati’s American Sign Museum, was just the place for painters, patrons, venders and friends to kick up their heels. The unusual surroundings (iconic neon signs and memorabilia from the fifties and sixties), capped an unusually relaxing and comfortable four days along the banks of the Ohio.

With the weather and temperature cooperating, the river and the city parks were within walking distance – as were the fine dining and Graeter's Ice Cream. Friday, Saturday and Sunday were packed with informative demos and presentations. More things to do and see than any one person could take in.

The reason most frequently given for not coming to an OPA National Juried Exhibition is: “I didn’t get in.” With all respect, if you are waiting for that you are missing the point of a conference. The annual show provides every OPA member the opportunity to see and learn, to meet and to exchange ideas with other artists. And by missing the National you’re just missing a lot of fun.

A painting demonstration by William Whitaker OPAM is always as entertaining as informative, and he was followed on Friday by a portrait demo by Johanna Harmon and still later, a presentation by David Mueller: “Sophisticated Fundamentals.” Many who attended this talk came away with the feeling they had just gotten their money’s worth for coming to Cincinnati. I could go on, and maybe I should – but whenever I hear that phrase spoken, I’m already tuning out.

I will just make a plug for next year’s conference: Steamboat Springs, Colorado – a place as beautiful in the summer as it is the rest of the year.
I’ve been on both sides of the equation myself, but can’t say ‘in-or-out’ has ever deterred my attending a show. If time, distance, and budget cooperate, the opportunity to see, meet, hear and learn from your contemporaries cannot be missed.

At every conference I’ve attended, information is exchanged constantly and freely: technical, material, professional. It is there for the asking.

Quite literally, going to OPA events has made me a better artist.

Okay. That’s the business end.

The real story was this: Cincinnati was a great place to go, just to have fun with your ‘peeps.’

Cincinnati may have been the best yet.

Seeing the paintings accepted into the annual OPA online or in the catalog, is a poor substitute for the real thing.

Save the date for next year’s National Show in Steamboat Springs, CO, June 1 – September 3, 2018.
Opening Weekend Events: May 30 – June 3, 2018
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Upcoming OPA Events

OPA 2016 Summer Online Showcase OPA 2017 Summer Online Showcase
The Summer 2017 Online Showcase is accepting entries from Jun. 1 - Aug. 15, and will be open to Associate members only. Learn More!
OPA 2017 Eastern Regional Exhibition OPA 2017 Eastern Regional Exhibition
The OPA 2017 Eastern Regional Exhibition will be hosted by Anderson Fine Art Gallery, located in St. Simons Island, Georgia, from Nov. 17 - Dec. 16, 2017.
OPA 2017 Western Regional Exhibition OPA 2017 Western Regional Exhibition
The OPA 2017 Western Regional Exhibition will be held at Illume Gallery of Fine Art, located in Saint George, UT, Nov. 10 - Dec. 9, 2017.
  • Kelli Folsom

    It was a great convention! Learned so much from all the wonderful artists there. The Cincinatti Art Museum was a treat too. I feel bad for those who missed out. Johanna is rockin’ that conga line. lol.

  • David

    Booth, you are absolutely correct, these conferences are a tremendous value, and so fun and informative… is great to connect personally to so many talented artists, and the demos and conversations are really helpful in growing as an artist….great job to all that were involved!
    David Foster in NC